WWSD. First time on skates and they put me between the pipes.

My dad wanted me to be the next Polka King, the next Beer Barrel Polka genius. The closest I ever got was the whole Beer part.

The point is, I was never allowed to play team sports. I had to practice the accordion. While other kids were running around, raiding gardens, playing hide and seek and breaking stuff; I was in the music room in the basement playing Dipsy-Doo, Merrily Merrily, and the heavy breathing sound an accordion can make.

My dad pushed me to practice and I tried. I wasn’t accordion material. I wanted to skate, play hockey like all the other kids in school. So, I asked my dad if I could play Pee Wee. He told me to pass out a whole bunch of his Accordion School promo cards. It was a whole stack, like a foot thick. I walked around the corner and threw the Olaf Sveen School of music promotional cards into the hole that would become the courthouse, a place I would come to know well. I finally made it back to the music school and dad had gone to Army and Navy and bought me hockey equipment. I felt bad, in fact, every time I was in court for being caught with a bong, or illegal possession; I wanted to dig through the floor and find the promo cards I’d tossed out so many years earlier.

So, I had the hockey gear. I cleared some snow out in the back yard and sprayed the space with the water hose and made a back yard rink. As an eleven year old I thought it was one mile square. Looking back it was about twenty feet by twenty feet. I’d go out there after school and practice my slap shot, wrist shot, skating on my ankles or picking up screws and bolts from my helmet after my skates went out from underneath me and I smashed my head on the ice.
Once in a while my mom would come out on the ice and try turn a pickup neighborhood hockey game into something called ‘Broomball.’

Eventually, I tried out for a hockey team, a Pee Wee B team. They were playing their first game of the year, an exhibition game against a tipple-A hockey team. I get into the dressing room and figure I’ll be a fourth line grinder, or a sub. The coach looks at me and says; “you’re in goal.”

I guess the original goalie was sick, or afraid, or too terrified to go in between the pipes. I was stoked, or in shock or too stupid to say no. I strap on the pads and skate out onto the ice. I remember all the people standing around the hockey rink and trying to figure out who the goalie was behind the cage I was wearing. I got between the pipes and my team started blasting shots at me. The pucks were going off my arm, shoulders, mask, and I was so focused with zero clue of what I was doing that I never noticed the welts the pucks were leaving on me.

Anyway, the game starts. It’s seven nothing. The other team was skating circles around us. I was target practice. I remember the other team was skating behind the net and I would turn around and watch them and think, damn can they skate. We lost thirteen nothing. And the thing is; while puck after puck was going in all’s I could think was; “Dad, I wish I was practicing accordion.”

E-MAIL ME: paulsveen@shaw.ca

Tagging a premise.

TAGGING means to develop, work on or expand on an JOKE. The best way to create new jokes from an original joke, is to begin at the KEY WORDS, or PUNCH WORD in the PREMISE. If we use the PUNCH WORD, the TAG we create better be as strong or stronger than the original joke, because the TAG is being telegraphed in the original PUNCH WORD. Confused? Good. The  Here’s a premise we can use as an example: “The first time I was on stage I fell off of it!”  look at the KEY WORDS in this premise ( FIRST…….TIME…….STAGE……. FELL) We begin by looking at these key words for a premises and PUNCH WORD and PUNCHLINE in our new jokes. let me give you an example.

Our PUNCH WORDS are: first, time, stage, fell: Where do we begin? We begin by looking at our FRAME and TAG the SENTENCES or look for SIMILAR to this premise we’re playing with in our sandbox. We can also find GOLD in the ideas that bubble up in our POOL. Our POOL can generate random ideas, emotions, key words and phrases that have connections to FELL? PAR EXEMPLE: FALLING IN LOVE, WINTER, SUMMER, SPRING,”
FALL; “Ever since I fell? off the stage, I can’t perform in FALL.” ( I asked myself if CAREENED off the stage would be better, so I don’t telegraph FELL) I put a question mark next to fell to remind me to try different words in the premise. Ever hear the phrase I laughed so hard I FELL off my chair? If we connect this phrase to our word STAGE, we end up with: “If you want an audience to fall off their chairs laughing, just fall off the stage.” ( When I insert this joke into MY FRAME, this TAG carries the emotion of falling off a stage in a full nightclub. REMEMBER: When we tag a joke, our TAG carries the EMOTION of the joke we TAGGED. Experiment with different emotions. Se what the result it 🙂 

How about TIME? What are the phrases of time? ( I like to use phrases. It’s the same as song writers using popular catch phrases: “Here For A Good Time,  Two Out Of Three Isn’t Bad.” When you hear the song, it’s already embedded in your joke writing arsenal. “You only have so much TIME on stage; unless you fall off it, then you can spend as much time as you want on the floor.

So, we begin with a JOKE in our FRAME. We Q and A the KEY WORDS or PUNCH WORD- (the WORD that makes the joke work.  in the JOKE we’re TAGGING. We ask the emotional vulnerable question about a KEY WORD; we can ANSWER with SARCASM. We can also make the KEY WORD look at itself in JUXTAPOSITION, by putting the KEY WORD against its opposite; EXAMPLE: or SIMILE; Falling off a stage is like?

Have fun. REMEMBER: New FRAME: Write 3 jokes and CREATE or TAG 2 NEW JOKES from the 3 original jokes. Great job everyone in the last class. Thank you for working so hard. It’s also awesome to see how much fun we’re having. LOVE IT!!!

Thank you Dan for sharing this awesome comment about my Stand Up Writing class; 7 times really appreciate it sir.

E MAIL ME paulsveen@shaw.ca

Songs, that Waited for Me.

I’ve always loved music. I mean, I was raised by a musician! When I was a kid, the first songs that caught my attention, besides Paul’s Polka, were Christmas classics. Oh Come All Yee Faithful, Do You See What I See, Silent Night. Away In a Manger. I was also struck by songs on AM radio, when everyone was getting ready for grade school. Johnny Cash’s: Ring of Fire. The Vogues: Five O’clock World. Garry Lewis and The Pace Makers: This Diamond Ring. The Singing Nun: Dominique. The first song I was loopy for, as a prepubescent teen, was, Spirit in The Sky: by Norman Greenbaum, and Sweet City Woman: by the Stampeders.

When my head was still soft, my dad tried to teach me the accordion. Every time I made a mistake, he’d hit me with a pencil. I think, those pencils had a big impact on me becoming a writer. Anyway, the accordion didn’t take; the same as, trying to put that moon-sand, back in an Etcher-sketch, out-running mall security in clown shoes, or learning trigonomnomotree, trigonamintrie, trigonymtehehe. You know what I mean. Long story short; schooling didn’t take. I dropped out in grade eleven, to join a country band. I figured, if it only took eight years to be a doctor; eleven years of solid C minus’s, was more than enough education, to play drums in a bar band. I took night classes and got my high school diploma; then took a ton of writing classes, through University and online colleges, and Adult Education. (I actually won 500$ in a hockey tournament; I used it to take the preparatory, U of A English, up grade course.

Thank you so much, for visiting my blog! I really appreciate it. E-mail me, if you have any questions, or comments, about a post: paulsveen@shaw.ca

Thank you again 🙂

I’ll start by stating, I’ve had many jobs, while figuring out my so called life. Drummer. Janitor. Dicky-Dee ice cream-boy. Bakery worker. Sewer worker. Ditch digger. Selling security alarms. Building fences. Carpet cleaner. Land scaping. Building trusses. Siding installer. Framing. Waiter. Concrete worker. Caretaker.

I shared a condo, where a job opportunity opened up, because the previous janitor killed himself. They took the pager from his overalls and gave it to me. I’d get voice messages from his buddies, calling me a son-of-a-bitch, because I took their deceased buddy’s, mop and bucket! One night, the princess I was living with, threw my stuff into the hallway and changed the locks, because, get this; she said, I’d never be famous.” Quote un quote. To be fair, when she changed the locks, I was headlining Lester’s liquor Pit. So, yah, I was only a minor, local celebrity. But do what you will with this; in Beaver lodge Alberta, I was considered a comedy God! Yah, not famous but not nothing either. Booyah!

Because I had no marketable skills; I continued to work at the condo, where my stuff was dumped in the hallway. Which I dealt with by being a functional alcoholic. And what I’m about to share with you, I’m not proud of. Before I was escorted off the property, for being useless; I had to squeeze behind a toolshed, with a garbage bag, to um, “use the facilities.” It’s not a pretty topic but sometimes, dropping one behind a toolshed, is what a person has to do. Sometimes, it’s what a person has to do.

I came this close, to joining the military. I strutted into the recruiting office and stated, in no uncertain terms, that I wanted to be Rambo! The recruiter paused a beat and replied. “Sign here son. You’ll start Rambo training tonight!” I said, “OK. ( Big breath.) Fabulous. I’m… um…just…going to have, a last cigarette, get a dew rag and I’ll be ready for my Nam flashbacks” I went outside, stretched and…ran away!!!

My point. The reason I had so many jobs, was because, I was convinced I was writer! I made a cold call to a university English program, and tried to get enrolled in the next semester. They asked about the status of my scholastic achievements? Caught off guard, I whisper stuttered, something about being 80% sure, of my locker number in grade eight! I was told I needed significant up-grading, before I could enter their hallowed halls. I scoffed, hung up and got my career back, ditch digging.

I know I’m my own worse enemy, but no matter how bad my life became; I always believed, I had a purpose. I felt as if something was asking me to create, through my heart, soul and spirit. I first began writing stand-up, in the early 80’s. Then one, and two act plays, and one man shows, in the 90’s. Then novels in the 2000’s. I began learning to play guitar around the same time, and started writing my own songs.

Everything I’ve been through and fought for, has lead me to this moment. I will continue to keep writing and producing my songs and I’m grateful you’re listening to and if you like, sharing my songs. With no further adieu, after all these years, here are a few of my songs, that I’ve spent a lifetime…reaching for.

(Please tell me what you think: paulsveen@shaw.ca)

The first song is, There was A Time.” It’s about the fallout with siblings.

The second song is, “At Christmas Time, They’re All Still Here.” It’s about, how everyone we miss at Christmas, always seems to feel a little closer.

The third song is, “Under the Stars.” It’s about losing someone and realizing; they’re never really gone.

The fourth song is, “The Space Between.” The struggle we have, feeling that we matter.

Dry Drunk.

All of us are suffering through something, our childhood, addiction, my blog. I’ve been writing for over forty years; stand-up, plays, novels, songs, as well as teaching writing. In all of these mediums, I’ve conditioned myself to write, what was out there, in the real world. It’s always been hard for me to be honest and vulnerable, to do a deep dive, into my story. And for the life of me; I don’t know why. This is what this blog is about. Me, cannon balling into why I’m such a chicken shit.

I call this blog, “Dry Drunk,’ because I’ve been sober for 26 years and a few years ago, a family member, called me a dry drunk.

Two things. 1) A dry drunk is someone who’s sober but not going to meetings and finding a higher power. And yes, I don’t go to meetings.

2) In the last 26 years years, I’ve written two books, three plays, several songs and a ton of jokes; and a lot my chunks are about a higher power. The things Iisted, are my meetings. Creativity is how I’ve worked on myself. I’ve gone to one AA meeting in 26 years. Sorry I didn’t stop more often for coffee, to bitch about my alcoholism. And sorry for bitching in my blog.

So, here it goes. I was raised in a house, where you were taught one thing, how to survive, because you’re on your own. Ever notice that our parents did the best they could, when we look back from this moment? But we never saw it when we were kids? I don’t need to get into the graphic nightmares I lived through, because I lived through them. What doesn’t kill you. And my childhood isn’t an excuse. But I had to figure out life, by running from it, until I had answers. That’s the thing about trauma, for me anyway; I did everything not to feel my pain, alcohol, drugs and eventually, gut laughter.

Thank my higher power, laughter pulled me out of my freefall. A few days after 911, I was on a plane, going to perform in a comedy club in Vancouver. I was travelling with an Iraqi comedian, who ( I swear to God) had a medical condition, where his jaw was fused, so he couldn’t smile! I mean he looked like he hated everyone but, he was a great guy and hilarious. Passengers on the plane were glaring at him, like he brought down the towers! Flight attendants were sneering at him and the whole time, I’m stirring the pot, telling him, there sure lots of anger on this flight. Why’s it so quiet in our section? Don’t react when the flight attendant spills a coffee on you. And you better hold it, they look angry by the lavatory. My buddy was laughing hysterically, inside!

The moment was spontaneous and unplanned and whatever that flight energy was, I’ve moved into it, trying to learn to let go and be myself. When I was first got into stand-up and still had a day job, I worked with a backhoe operator (Ron) who’d play practical jokes on me, like the buzzer in the hand trick. Really? Or, once I was sitting in the office, with a bunch of co workers. I was sitting under a window and Ron asked me to close it. I reefed it closed and the large packet of cream Ron hid in the window, exploded into my face. And they laughed. Ron was always trying to be funny because he was hiding something. Just like I tried to be funny because I was hiding my childhood.

Ron was the first person to make me feel welcome, like I got to be myself and not try so hard to get others to like me. And that’s an effect of trauma, endless need for approval. And what ever the bond was we had, it got stronger. I became friends with his special needs son, with Down Syndrome. We talked wrestling and debated who the best WWF superstars were. I went to Ron’s house and watched pay per view wrestling with his son. Then Ron was diagnosed with terminal cancer.

I sat with Ron many times and told him because of him, I decided to go full time into stand up. Many years later, his daughter talked to me after a show and told me how much my friendship meant to her father. That’s a higher power working through us.

I love to write jokes and since I’ve been sober, I’ve slowly made the shift from ego to my eternal self, my heart, soul and spirit. And this shift has allowed me to be more honest. I was talking about the house I was raised in, the place where I learned to survive. I’m sure everyone’s heard the whole:

“Stop crying because! If you want something to cry about; I’ll give you, something to cry about!”

“What are you thinking? Another ten straps with your belt, getting thrown down the stairs or straight to the closed fists?”

I’m pretty sure, living, like the best I could hope for, was to cope, was the reason I couldn’t show much emotion in a relationship, or in public. I’ve been thinking, maybe the next funeral I go to, I’m going to ask them if they could please turn off Amazing Grace and turn to the widescreen and play, “The Fault in Our Stars?”

I’ve been around grief my whole life but I’ve bottled it up inside and have learned to deal with it through humor.

“What I’ve come to know is, grief is like a snake. I’m not sure what kind of snake, but the kind that sneaks up on you, when you least expect it! Unless of course, you’re grieving the loss of a child. Then it’s the snake with a rattle.”

There’s five stages of grief. Six, if you lost someone on a swing stage.”

“If you find it’s difficult to share emotion at a funeral, see if they’ll move the service into rush hour traffic.”

What Would Sveen Do???

MEADOWLARKS

Written by Paul Olaf Sveen

Eva Lischka-Sveen, was on the twenty-fourth karat, of her golden years; when she moved into assisted living, from her apartment. The apartment was the only place mom lived alone; never in her twenty some years in Saskatchewan, or sixty plus years in Alberta. Well, mom wasn’t exactly alone in the apartment. She’d brought a cat, from the house she’d owned. A painted by Pollock, scared of its own shadow and anyone not mom. It was a Calico. Mom struggled for a name and thankfully, came up with Calico.

A farm girl, through and through, mom jimmy-rigged a language, she used on the back forty, to speak to horses, cows, and her brothers. And now, Calicosis. That Was her go to name for it; Calicosis, sounding more like a rash than a pet. Mom’s animal language was a series of whistles, grunts and clicks; something you swore you heard on Hee-Haw! Depending on the sound mom made, Calicosis either: sprinted to the snack goddess, dropped where it stood, or hid, like the Gestapo was breaking down the door. Calicosis was a social out cat. And looking back, maybe her cat, was just mirroring how mom felt, worried about her ever changing and uncertain life.

The drastic changes began when mom moved from the hamlet of Steelman, Saskatchewan, to the booming city of Edmonton, Alberta, in 1963. That day, she crammed us five kids, in dad’s 1960, blue Ford Monarch, and stuffed as much of their things into the trunk, or tied to the roof like the Clampetts. Then, mom left everything and everyone she knew, to support my dad’s dream, of playing the accordion.

I can’t imagine how heartbroken mom was, leaving Steelman. She was literally family to everyone there; her mom and dad, brothers and sisters, uncles, aunts and cousins. Everyone in Steelman knew mom. They knew her better than anyone, anywhere. But dad wanted off the tractor to record polkas; and quite frankly, who could blame him? Dad drove away, as Steelman waved goodbye. Knowing mom, she cried as everyone she loved, became further and further away, until, mom, no longer saw them.

Mom and dad eventually bought a house Edmonton. The bungalow was like the Beatles, because we also, only had one John. With seven of us and one bathroom; it was the only reason I sprinted to school. Mom hung our clothes on her new fangled clothesline in January; which we then wore frozen to church. The house was also where dad celebrated the 32 albums he recorded. And where my parents, celebrated their fiftieth anniversary.

The years flew by; dad was in end of care, and mom had her own health crisis. When I was away for work, Nernie grocery shopped and picked up mom’s meds and sat with her. But the day came, when mom had to leave her beloved house, her kitchen, her flowers, and apple trees, that were saplings when mom planted them. Everything mom grew, was chosen, because it reminded her of Steelman; or for the birds they attracted. Blue Jays, Finches, Woodpeckers, to swallows and hummingbirds. But never mom’s favorite bird, from growing up in Saskatchewan. Meadowlarks.

Mom faced the move from her home, the way she faced everything; in self-reflective, traumatic shock. But in her heart, she was unwavering. She tore her clothes apart, to make dresses for my sisters; and worked tirelessly, to make ends meet. Mom was the shining beacon, of a home, with five, out of control kids and a husband, who stayed out late, playing accordion classics like, “Boil that Cabbage Down!”

Dad was up early to teach music downtown, then play for local dances, or drive for hours in a car, that shouldn’t be further than booster cables, from a mechanic. Dad was relentless, in writing that smash hit polka, or writing articles for local, national and international accordion magazines. He dealt with the pressure, by hanging with his ne’er-do-well, accordion beatniks. They drank, inhaled pickled herring and played schottisches, until way late, on school nights! They laughed about the old days, as mom worked over a hot stove, making old country favorites like, boiled fish taters and deep fried squid dumplings.

And it was in mom’s looming retirement, that she had even more to face. Mom was diagnosed with colon cancer. She was fitted with a colostomy pouch; and I seriously doubt she realized how difficult her life was. She survived unending hardships, as if she was trapped in a perpetual storm, but chose not to run. She instead, became the bright blue sky, in the center of the hurricane. She faced everything, no matter how overwhelmed she was, with fierce Eva resolve. Mom never quit, always flicked the Lischka switch and stared down everything, she had to face. Then quietly prayed, tomorrow might be better.

It was a few years after being moved into assisted living, that mom was swept into her last dark storm, and was diagnosed with late onset dementia. When it rains.

This particular afternoon I visited mom, I stepped off the elevator per usual, with Ruby; Nernie, and my Shar-Pei. I let our wrinkle dog off leash, and like all the other times; Ruby basked in uncountable hugs and kisses from nurses. After the staff visit, Ruby mingled for twenty minutes or so, with seniors in the common area. She began with the spryest of the elders, then worked her way to the elderly who were alone. Those seniors, Ruby plopped next to, and leaned against.

I stepped toward mom’s suite, pausing in the open door, watching the angel who raised me. For some reason, that day, the most fearless person I knew, seemed broken. I smiled when I noticed how the room’s light shined on her, making mom’s grey hair, seem like a halo. She sat on the edge of the bed, hunched over a small table, covered in her art.

She’d taken art classes years ago, and had created several Christmas paintings and a colorful painting, of wild meadow flowers. Her paintings are in my office; along with the sun hat she wore, working in her garden. I’m gazing at mom’s wild flower painting, as I write this. I’ll never forget mom’s story about the painting; about stopping in a meadow, on her way to school. She lit up, when she told that story. As if mom shared the happiest moment of her life, and would become lost in the long-ago moment.

The lines and wrinkles around mom’s eyes and mouth, spoke of the years of exhausting work. The stress wrinkles, clashed with the lines from mom’s bottomless laugh. If you knew Eva Sveen; you knew her loving scowl, was her personal move to scrutinize. Don’t get me wrong, mom smiled. But if mom had her druthers, she went right to her belly laugh. A sound, if you heard, you shan’t soon forget.

Mom was my best friend. Even when she was beating me with a broom. But now, her memories were unreachable. That didn’t matter to me. She was my mom. My champion, my hero. She was my story teller at the table, or in the shade of the apple trees, spinning glorious yarn, after yarn, of her childhood near Steelman. She’d say something, then pause and glare at me with her patented scowl, making sure I was keeping up. Don’t worry. All of mom’s stories are in the vault; (tapping my noggin.) What I’ve come to understand is, what mom was saying, in every story she shared; you can take the girl out of the farm. But you could nary, take the farm, out of the girl.

Farm stories were mom’s wheelhouse; she told them any chance she could. One thing always confused me though. If it was such a happy time, why, in the few photos of my mom, when she was a girl, she always appeared on the fringes of the photo, concealing her smile? Thin frail, looking tired, her shoulder’s sunk? It was because, her mother made her leave school in grade six, to work on the farm. She was up at dawn, and worked until dark.

Then, mom spotted the high plains drifter, leaning in the doorway.

“Who are you?” She asked, sounding confused.

“I’m an artist.” I replied. (I changed my title every visit, pilot, cowboy, celebrity chef, king.)

“Artist? So am I.” She said, sounding excited.

“Would you like to see some of my sketches?” She asked.

“Absolutely.” I smiled.

She paused and pointed at a small closet.

“First, could you check on the roast, in the oven?”

I nodded and opened the closet door. The shelves were filled with folded clothes. I put on a glove and reached in, and opened the imaginary hot pan.

“Oh, it’s smells wonderful.” I said and closed the oven door.” Another twenty minutes, or so.”

“Good.” She said. Then you can stay for supper.”

“I’d like that.” I said.

Before I sat down, I checked on Ruby. Our dog was by a table of seniors, her tail wagging, moving from one new friend to another. I shook my head in wonder. How did Nernie and I, manage to have such an amazing dog? I told Nernie, it was because we got Ruby from Saskatchewan. Not bragging. Just saying. Anyway, I stepped back to my mom.

Mom was an incredible cook. She’d gone to college in her thirties, receiving Sous chef and Pastry chef diplomas. She could make western BBQ, Chinese cuisine, Saskatchewan Flapper’s pies, Norwegian lutefisk, Swedish potato dumplings, Danish flake pastry, German Spätzle and Schnitzel, and cream cheese apple strudel. Ukrainian Cabbage rolls and perogies. I have a mom cooking story to share in a bite.

She told stories about siting by the radio, with my grandpa Joe, listening to the world series. Or when mom was hired for a job in the bustling town of Lampman, as a telephone operator. It’s where mom talked to my dad for the first time. And always the story, about the meadow near her childhood home.

Speaking of home. Mom told the story, of visiting a neighboring farm one Christmas. She and her brother, on a horse drawn sleigh, were suddenly caught in a blizzard, . The horse stopped in the whiteout, refusing to budge. Her brother reefed on the reins and screamed, trying to get the horse to move. Freezing, mom grabbed the reins and did her invented farm language. The horse’s ears flexed when it heard mom. The horse instantly spun a one-eighty and soon, took them within a few feet of their barn. Her brother had been going in the wrong direction. Mom knew and loved animals. She knew their horse, even in a blinding, freezing, blizzard, would never forget the way home.

While I checked the roast again, mom asked me to grab a pile of her paintings, that were on the windowsill. I placed the paintings in front of her. She flipped through them, and stopped on one.

A painting, who’s water colors bled into one another. A brown counter and cupboards, a silver sink, and fridge, and stove and a window, with blue curtains; it was mom’s kitchen, in her house.

“I love this painting, “I said. “Makes me feel safe.” I studied the painting, then glanced at the cupboard, one of mom’s cooking stories, bubbled in me. The mom cooking story I promised earlier.

It was the Friday, on thanksgiving weekend, the late 80’s. I was home, when the phone rang. It was mommy dearest. She was calling from her job, as the chef at a banquet hall.

“You know where I work?”. Mom’s tone, was a tad brisk for my constitution. Thank you very much.

“Yah. I’ve driven you there enough times. Are you OK?”

“Be here in half an hour. Park at the back doors.” Click.

“OK. I’ll be there.” I said, to no one in particular. When did mom become a marine?

I get to the banquet hall, as I back up to the doors, the doors, slam open! Mom motioned to me, like she was calling in an artillery strike. I hopped up the stairs and scampered into the kitchen.

“The banquet manager said that anything that was left after supper, I could share with the staff. The rest is ours, so load it into your truck. Chop-chop.”

Turkeys, Hams, smashed potatoes, salmon, stuffing, gravy, mushroom sauce, cranberries, pies, cakes, butter tarts, puddings, fresh baked bread and more. All wrapped and good to go.

I grabbed a tub of pies as mom worked in the dinning area. I filled my truck and unloaded the loot, as dad slept. Mom heated up a couple of plates; and the best wasn’t the incredible supper. The best was, sitting with my mom, feeling as if we’d pulled off a heist, sharing an early thanksgiving, and listening to mom, just her and me, as mom told her stories. It’s an out of the blue memory, I will never forget.

Mom flipped through more paintings, stopping on an orange ball with whiskers, it had big ears and a way too long tail, that curled around its tukas, thrice.

“Who’s the kitty in the painting?” I asked. Mom never spoke, just stared at the painting, moving a thumb over the cat’s whiskers. I thought it might be Ginger, another stray, that found its way in her yard one day. The cat ended up having babies in the basement. It brought her kitties, one at a time, up the stairs, and placed her babies on mom’s lap. Mom sat overwhelmed and just sobbed. What’s with my mom and animals? They all loved her, horses, cats, dogs, dad.

I got up and checked the roast again and closed the closet door, then went and looked for Ruby. She sat beside a near motionless senior, on a gurney, staring at the ceiling. His arm was draped over the side of the gurney, his hand, gently patted and scratched at Ruby.

I sat next to mom again, as she flipped through more paintings. I could tell she was tired and thought about letting her rest. Then I realized, she was no longer staring at her painting. She was blinking, at the door. I looked. In the doorway, sat our Ruby.

Mom stared bewildered at the dog. After a long silence, she turned to me, a light, seemingly returning to her eyes. She stole a glance at Ruby again, then, slowly turned to me and…whispered…

“Paul?”

I coughed. Tears welling in my eyes. Mom had said my name! My mom remembered me! How? Why? Was it her love for animals? Did Ruby trigger something, in the depths of mom’s being?

“Yes mom.” It’s me. Your son. Paul” I said.

“Oh Paul.” She beamed.

Ruby waddled over to mom and sat on her foot and leaned against her. Mom whispered as she ran her hand over Ruby. We stayed for another half hour. Mom hugged me and then laid down for a sleep. Ruby watched, as I covered my mom in a blanket. I had a last look, then my dog and I left. Ruby, the boundless healing Shar-Pei, at my side, and me, with an ear-to-ear grin. I was remembered.

Not long after the visit, mom passed away.

I again found myself holding her wild flowers painting, remembering the story, she’d told me about her childhood. And suddenly, I recalled, an incredible, synchronous mom story.

I was working in southern Saskatchewan, not far from Steelman. I visited relatives and then drove down a gravel road, toward the highway. I quickly happened upon an abandoned, one room school house. It was overgrown with trees, and I had no idea, if it was mom’s old school house, she’d spoken about so much? I turned off my car and walked around the old, one-room-school, for my mom.

It was then, I remembered my voice recorder; I was a stand-up comedian and used it to record my shows. It had an hour of tape. I pressed record, placed it on the roof of my car and wandered around the old school house. I wanted to believe it was the school mom went to. I looked inside; there were a few tipped over desks. I imagined mom, when she was a girl, sitting in one of the desks, her whole life ahead of her. I took some pictures with my phone and after a while, stepped back to my car.

I sat in my vehicle and checked the recording. It had stopped, so, it had recorded an hour of something? I plugged my earphones in, and began the drive home; like the one my parent’s had in 1963. Sadly, the recording only held the lonely sounds, of prairie wind. But, near the very end of the tape, a bird fluttered, scratched and scrambled along the roof of my car! And as if prompted by a higher power. The bird leaned into my voice recorder, and sang. It sent chills down my back. It was a Meadowlark! I knew its song anywhere. Mom had done Meadowlark impressions my whole life, especially when she told the wildflower story. I knew the Meadowlark’s song, solely, because of mom’s stories of her childhood.

After an all-night drive, I finally got back to Edmonton. When I awoke, I drove to mom’s house. She was at the kitchen table, having coffee. I told her I had something she had to hear. I turned the recorder up as loud as it could go; I fast forwarded the tape, almost to the end, and pressed play.

Mom heard the Saskatchewan wind gusts and seemed, unimpressed. Then, she heard the sounds of a bird, trundle across the roof of my car and, with all its heart, sing. Mom looked like she’d been struck by lightening. The recorder against her ear, she listened again, and again, to the bird’s song, and cried.

“You recorded a Meadowlark?” She sobbed, tears, streaming down her face.

Mom played the tape so much that day, I gave mom my voice recorder. I also told her about the abandoned school house, where I’d recorded the Meadowlark. I printed off a picture of the old school. Mom stared for a long moment at the one room school, overgrown with trees.

“That’s my school. It has to be. That’s my school!” What a glorious moment to share with mom.

At mom’s service, I thought of her meadow painting again, that held her favorite story. The way she’d cried when she heard the Meadowlark I recorded; I knew it was a miracle. I mean, what are the odds that I stumble onto mom’s old school, and record a meadowlark, at the same time? I closed my eyes and imagined where my mom was, that very moment.

In the eternal instant, after my mom closed her eyes for the last time, she was a girl again, skipping barefoot, along a dirt road, on a perfect late spring day. She wore a white T-shirt and a blue dress, that had shoulder straps. She swung a small bag, that held her lunch and school books. She stepped through an open gate, and skipped into the rolling hills of the meadow. The girl danced through the endless wildflowers, picking the brightest and most colorful, for her teacher, crocuses, corn flowers, prairie roses, violets, blue flax, red lilies and scarlet paintbrushes.

The girl lay among the flowers, her eyes closed, breathing in the glorious aromas. Somewhere, in a distant thought, she wondered if she should make her way to the school house, before the bell rang? The thought evaporated, when she heard the heavenly serenade of a Meadowlark.

The little girl opened her eyes, her face shinning in a full, brimming smile; the Meadowlark chanced nearer; its symphony echoing through the meadow. The girl couldn’t remember, if she’d ever been this happy? This has to be a special day. Even the skies bowed to the little girl, in horizons of cloudless azure. All the meadow flowers leaned toward her, shining in spectacular, April colors. The moment was something the child couldn’t describe. Even more, the meadowlark landed on the girl and ever so gently, sang for her.

“Where am I?” The little girl wondered aloud.

A kindred voice, carried on the prairie breeze, spoke to her, softly whispering…

“My dear child.”

“You’re home.”

“You’re home.”

We may forget our laughter. But our laughter NEVER forgets us.

In the last several years, Nernie and I have lost both our parents, our pets and have been under a constant barrage of outside negativity. Yes, I know life is hard but it’s also way too short. So, it’s not what happens to us; it’s what we do, with what happens to us.

I toured as a stand up comedian, for over three decades and also shared humor workshops, for the same length of time. Three decades. I received a national teaching Award of my Humor Workshops. But the truth is, I’ve gone by the beat of my own drum. I am different, and different is an easy target. When I wrote my first book, someone went out of their way, to write an eight page tirade, in a letter, on what was wrong with my novel. Throughout their meltdown, they kept saying: “gotcha.” It reminded me of the song Diamond Mine, by Blue Rodeo; “why are people so quick to be so cruel?”

So, what does a person do? Nernie and I decided to finish a story we began working on in 2000. The story was about how humor seems to wash away everything that ales us. We’re drawn to the people that understand our quirky sense of humor and they’re drawn to us. We also read books and watch TV shows and movies, that mirror our sense of humor. For me, it’s the series All in the Family, and Carol Burnett, Friends, Loudermilk, Arrested Development, Seinfeld and Curb your Enthusiasm. Movies that made me laugh are, The Big Lebowski, The Pink Panther series, Monty Python, The Life of Brian and The meaning of Life. And A fish Called Wanda. The theme that runs through them all is: stupid. Be honest, what’s funnier than stupid?

Here’s a stupid thing that made my Sveen list: Waiting on top my parent’s house, for hours, with a five gallon pail of ice water, to drench my brother. He finally shows up, I spill half the pail on him, the pail slips and I hit him in the noggin, with the half full bucket.

My point. No matter what we’re going through in life, the laughter is always close by, in our memories, our conversations and posts. Our sense of humor is always running in the background, every belly laugh, things we’ve seen, heard, and read. They’re always bubbling up in our synapse. They’re important. They take us back to another time, and make us feel better, in whatever we’re going through, in the now.

This is why Nernie and I decided to publish The Awfalot, the story we’d began so many years earlier. The message in our story is also important, to remember our silly, spontaneity, creativity, happiness and authenticity they’re all wrapped up in our laugh.

Please take the time to follow your own laughter. There’s a million reasons to be stuck. The million words that make up the word laughter: inspired, friendship, healing, joy, ecstatic, chuckling… are the words that help us get unstuck, and knock one out of the park. paulsveen@shaw.ca

https://www.indigo.ca/en-ca/the-awfalot/9780994029416.html?searchType=products&searchTerm=The%20Awfalot

How we created the Awfalot.

First, if you have any thoughts about writing a book, screenplay or play, E MAIL me, I’ll share everything I can with you, with what we have learned. paulsveen@shaw.ca

Alright. We had played with the idea of The Awfalot, since Nernie and I first met, in 2004. It was always in the back of our minds to develop this story about the healing power of humor, into a book. I showed the story to friends and approached local artists about working with us. Nothing came of it sadly.

Listen, we all have ideas. Some of them are notions, passing thoughts, some are ideas that make it onto a napkin. Other ideas are explosions in our minds, with this energy that we absolutely have to take action and make this happen. Well, The Awfalot began with Nernie and I laughing until our stomachs hurt, and a story that was a play on words. I love to rhyme and Nernie loves poetry, so we were good to go out of the gate. Unfortunately, that gate closed as soon as we stepped toward it.

We either act on our ideas, or what happened to Nernie and I, we put The Awfalot on a shelf and moved onto other things, like, getting married, building a treehouse in the backyard, driving to Saskatoon, to get our doggie Ruby, finding a kitty in the colds of winter and naming her KOOKOO, and then the whole, struggling to make ends meet thing.

So, the years passed, and one day, during the pandemic, Nernie was cleaning out a book shelf and found the ideas we had for The Awfalot. She showed it to me and I exclaimed, “yah, we should do this honey!” Nernie replied, “That’s what you said 15 years ago Pal.” Yah, well I was busy binge watching H.R. Pufnstuf. Have you ever had that happen? Jotted down an idea on your hand, or have someone remind you of something you were going to do, get a Mohawk haircut, get your lips fitted with pirate rings, build a spaceship in the garage? And never do it? For me that was the 70’s, 80’s, most of the 90’s and, well pretty much every moment I’ve been awake.

So, Nernie and I played with the original sheets of coffee stained paper and put The Awfalot back together, the best we could. I had been performing Stand Up Comedy Nationally for over 30 years, and had been teaching Stand Up, as an Adult Instructor for over 25 years. Nernie and I had met a lot of great people over the years, and one of them, was one of my students, Emily St. Marie. She was now living in the States, sketching children’s books. I said, I said what???!!

Synchronicity and coincidence collided like my head and an awning, in an idea and long distance phone calls to the inner regions of Washington State. A phone call that wasn’t on any plan known to humanity. I called Emily, she loved the story and we began the year long Zoom and phone calls. The idea we began all those years ago, was rising from the ashes of my indentation on the couch. I had contacted a publisher and we sent our finished manuscript. There was another several months of back and forth, when the day finally came, that The Awfalot was now ready for publication. “Yay!!!”

The idea that refused to die about the healing power of humor, was brought to life. I guess the idea was always floating near the surface of our hearts, so, it was a natural process to not quit on this story because it kept nudging us.

https://books.friesenpress.com/store/title/119734000020867117

Here is the link to our book from our publisher Friesen Press. Our book will be available on Amazon and in all bookstores in a few weeks, once they update their catalogs.

This was our journey. If you know Nernie and I, you will see all the connections to us in our book, The Awfalot. We never gave up on this story because laughter and the million words that make that one word, laughter: kindness, friendship, healing, happiness, possibility, miracles… kept shaking us, asking us to get The Awfalot out there. And like me, being out there. so is the story for the young at heart, The Awfalot. “Yayyyyy!!!”

Comedy/ Tragedy/ and our Highest Thoughts.

I was watching a documentary on several ridiculously successful comedians, the five of them were sitting around a table talking about their careers. They weren’t talking about their mansions, fleets of cars, or their super popular TV’S shows or movies. Nope, they dove into the hell gigs they all went through, and the horror stories of their careers. And they were howling. It’s where we began, and what we overcame that’s near and dear to our hearts. And no matter what we do , stand up, teacher, bus driver; we all have these stories in us, and they’re our University.

Besides, no one wants to hear how great we are, how amazing our life is, and how much better it’s going to get. Nope, they want to hear how we locked our keys in the car, were drenched by a passing truck, or how an ATM ate our card.

First of all; I believe each of us, is more than we can possibly know. Unfortunately, in Stand Up Comedy, for me anyway, I learnt this lesson the hard way. I’ve always shared this quote: “You work for money, or you get money for your work.” Well, as a stand up, first starting out, there might be work. open mics, guest spots, and community fundraisers; yes they’re are all learning experiences. But the first thing you learn is: you’re doing all these for free. Mic drop.

When I first started, I had an agent that booked bands and lounge-acts. I convinced them because I did an Elvis impression, that I was their man. They immediately get me a booking at 3 in the morning, for an ELEMENTARY WAKE-A-THON. I sit down and write out 50 jokes I thought eleven year old’s would like: “How come we never see monkey bars on Planet of the Apes? You’re lucky. You’re at the age where people are still impressed you’re good at murder ball. Ever notice the smart kids sit up front? So, if you don’t get my jokes you sitting too far in the back.”

I get up on stage, in a half filled gym, 3AM, I go to introduce myself, “Hi. I’m Pau”…. That’s as much as I got out, before some kid in glasses shouts, “you suck!” I instantly look for the teachers, and they’re hunched over on the back wall, laughing. I think, OK, how much more time do I have? I look at my watch. All of it. That’s how much. I’m supposed to do 20 minutes. The whole time I’m being screamed at how unfunny I am by a gym half full of children.

My sister was a teacher’s aide at my nephew’s junior high school. She asks me if I’d be interested in doing a lunch hour show, in the teacher’s lounge, for a couple dozen teachers? I say, “well of course I will.” I show up for the lunch hour show. I’ve put together my favorite just starting comedy jokes, into a pretty solid twenty minute set that should impress the hell out of this group. I get to the gig; I see my sister, and for some reason she can’t talk. She points down the hall to an open door, and races away. She’s a teacher’s aide I surmise, and calmly shuffle to the open door. There’s no mic, stage, nothing’s prepared. The teachers are all sitting around two large tables, eating lunch and talking. I decide to just jump in with both feet.

“Hi everyone. I’m Paul. you might not know me, but in Slave Lake; I’m a God. KFC says a bucket holds one whole chicken. So. the other day I decided to reconstruct a bucket. You know what it was? A human head. Me and my girlfriend broke up. I still see her. She’s in my freezer. My mother’s illiterate; when I was a kid, if I swore; she’d wash my mouth out with soup.”

The teachers don’t look at me, don’t stop eating, don’t stop talking. Finally, near the end of my set, one of them asks why I’m talking during their lunch break? Apparently my sister forgot to tell anyone who I was, and why I was sharing my stand up during their lunch break.

I have more than my fair share of nightmare, worst case stand up scenarios. But when I began as a comedian, my plan was to learn the craft. Watch other comics, and read, listen, perform, tape my sets and listen to the tapes, tag the jokes that were working, rewrite the rest of my set that wasn’t working. Because of stand up, I learnt timing, and how to trust my intuition, the genres of comedy writing and styles. I became an Adult Educator, and taught Stand Up, and Comedy Writing for 3 decades, and received a National Teaching Award. Because of Stand Up, I became an award winning playwright, and a published novelist. Stand Up taught me how to carve out my voice.

It was my ego that I worked through in the beginning of my Stand Up career. But through working on the work, I managed to let go, and trust my intuition; really listen to it. My intuition opened my eyes to honesty, and humor for healing, to sharing my bare bones stories; dysfunction, addiction, divorce, loss, regret, shame, my truth. In following these stones across the rivers of my journey, I began to bump into my highest thoughts, heart, soul, compassion, life after death, healing and heaven.

It’s laughter, intuition, heart, soul and spirit, that have lead me to this moment, and this blog. I don’t know very much, but I do know, that trusting our lowest thoughts, self-criticism, doubting, our happiness and worthiness, are all lies. We are all a part of infinity. When we look up at the stars at night and see the limitlessness in the Universe; why would we ever decide to be small?

Nothing but the Truth.

If you want to write your best stand up, start with one of your stories, a moment that’s uncomfortable. Write it out, and start asking questions about the moment and then, answer them as honestly as you can. The question is the premise. The punchline is your answer. Now, the deeper you’re willing to explore your moment, the better the material.

It’s the truth.

My Favorite Doughnut Story.

Nernie and I were in a Fundraiser. It was the first one we did together. The organizer asked if I would get some treats for the after party. I thought, why don’t I think outside the box of doughnuts and invent a pastry treat?

Alright. So, I went to a franchisee that sells tasty snacks that sounds like, “Rim Gortuns.” and I bought five hundred Rim Gits and took them home because that’s what inventors do people.

I then, made different flavors of icing, caramel, mint, chocolate, Bavarian Cream and INJECTED the icing into the Rim Gits.

I then, dipped each Numbnut into caramel and then dipped this into crushed peanuts. (yah, I know, what about the people with allergies? Numbnuts were invented before allergies were.)

We brought the Numbnuts to the after party and the stoned people gravitated toward them like moths to a flame.

Personally my favorite doughnuts are Boston Creams but Numbnuts with actual Bavarian cream inside would be heaven.

Anywho. Nernie and I rented a table at a market with a ton of Numbnuts, ten to a bag and sat there all day and didn’t sell any.

I think it’s the name.

Why Aren’t Our Souls Hilarious???

I’ve been travelling across the country in crappy cars and rentals performing Stand Up for thirty-five years, through blizzards, downpours, sweltering heat, driving for days to perform my act. And I was on the road to keep growing as a creative type, writer, as a person and to pay my rent. I managed to get into Stand Up Comedy be in some of the toughest bars in Canada and get sober!!! Who does that? Not me. My soul did. A higher version of me asked me to get sober because… I had a higher purpose. My broken train wreck self still wants to get hammered. The point I’m making is, body, mind and soul. I’ve done the body mind thing, bought the T-shirt. I’m in the third phase of my life, the part that wants to evolve to my highest level not perform in High Level. thank you very much.

We attracted this homeless kitty because our hearts were open to this kitty, along with the manuscript the kitty was sitting on, which became my first book about Angels. We attract what we consciously or unconsciously give. Why not send out joy, abundance and gratitude?

OK. I’ve been sharing my shtick forever and I have material that worked at corporate venues, bars and comedy clubs and all the while, while I was trying to find who I really was. They call it stage legs. What that means is: once your absolute terror of being in front of an audience is no longer noticeable; (it never goes away, the terror. It’s like closure. Whoever coined that word was devoid of emotion. Ever have your heart broken, lose a parent, or a pet? It’s the closest you can get to combat without actually being shot.) Anyway, most people have their night terrors in the privacy of their bungalows, under a blanket with cookies and snacks close by incase they get upset. Comedians have their night terrors front and center in front of an audience, under the lights, in front of other comedians; because the greatest joy, in the world to other comedians is watching other comedians crash and burn. Seriously. I was performing at a Cowboy fundraiser and the first comedian was on stage and this 300 pound giant redneck gets on stage and grabs the comedian’s Mic and shouts: “you are the absolute worst comic in the %#+!! world and you suck and I hope you die of cancer.” Oh, did I mention we were doing a cancer fundraiser? I tell the two bouncers at the bar to get the idiot off the stage. They say, “good idea!” The bouncers run up on stage and grab the comedian!!!

So, what I want to share is that I’ve done the bars gigs and clubs and the entire time I performed in them, a voice in me was asking me, who Paul Sveen really was? The real Paul Sveen. I’m a spiritual being having a human experience. I believe we’re all miracles and capable of anything and that humor heals our deepest wounds. It’s just that what my soul wants to share is not funny. I’m not sure if anyone has read my first novel. The Angel’s Claw?” Yeah, the last thing my homage to God is…is funny. Ex Sociopaths hunting down current sociopath’s and giving them a near death experience. “You’ve been great goodnight!!!

Again, my point is, the things that I’ve healed from: alcoholism, drug addiction, overeating, shame, bullying, regret, rage, self doubt, approval, control, fear, PTSD, is what my soul wants to talk about and I will be sharing in the real Paul Sveen who believes humor heals. I’ll be developing my stories and the healing messages in them, for audiences that also believe they’re not junk, that they’re also here to heal through joy, laughter, forgiveness, personal breakthroughs and that their humor does heal and that we can learn the lessons from our souls; because the lessons from our ego are way highly overrated. Healing through laughter. It’s who I am.

If you have any questions: paulsveen@shaw.ca

Give. If you can. And don’t take yourself seriously.

I’ve always been addicted to humor and its power to bring people together and the power humor has to heal. The clubs I’ve worked in and the showcases, festivals, corporate shows and road gigs beg to differ. I’ve spent decades trying to figure out what I was doing in Stand Up, was I soapbox comic, the angry chain smoking recovering alcoholic with a story to tell? Kind of, but without the cigarettes and a lot of the anger diluted by years of “The Artist’s Way,” journals helping expunge my demons.

You might argue that anger is funnier than humor that heals. I was coming out of my first divorce when I started comedy. These were a few of my jokes back in the early 80’s. “Me and my wife broke up. I still see here though; she’s in my freezer.” or this chunk. “What’s with that song, ‘I am Woman hear me roar?’ Let me hear the vacuum roar. Do your job.” “I blame Oprah for my breakup. She said if I loved my wife I’d find her ‘G SPOT.’ I went looking for it. Turns out it was in my wife’s cousin.” These were absolutely stupid jokes made for drunk people that told you that I was an angry idiot but they never told anything about me. Life should be an evolution: body, mind, soul and I’ve spent decades looking for punchlines when I realize I should have been looking for myself.

What does that mean? First of all, angry is funny, rage, desperation, panic and all the emotions that come out of a disintegrating relationship are ripe for Stand-Up. It’s no longer my audience or who I am. But you know what? Heart, spirit and a soul’s journey is not hilarious. But these are the things I’m searching for in my story. They’re calling to me. And they are my audience.

As I’m writing this, my random I-Tunes music selector chose Gregorian Chanting. Coincidence? I don’t know you tell me. There’s still a million reasons to be mad, bills, regret, shaming, bullying on media platforms like Facebook and Twitter. When we put ourselves out there we invite those that prey on others. The old me would have lashed out at being bullied or shamed but now I chose to use these moments as an opportunity to reinforce my spiritual muscle.

I chose to grow in all pillars of life, my marriage, emotionally and creatively. When Nernie and I started dating almost 20 years ago she had this dream where I was on stage and a rope was being pulled out of me. I’ve come to believe her dream was her asking me to be real, allow the real Paul to show up. I’ve never really known where I belonged. I’ve just known I needed to create, that has taken the form of music, writing live theatre, novels, teaching, performing Stand-Up and Keynotes. I’ve been in too many miracles not to believe they’re real, all the near fatal car accidents I’ve been in across the country. Planes that should have crashed but didn’t. Me, twenty one years sober and in love with the woman I preyed for. Don’t tell me the Universe isn’t listening to us.

Once, I was driving in the middle of a nightmare blizzard, in a piece of junk truck with faulty wiring; at three in the morning my head lights go out. The comic in the passenger seat SCREAMS looks at me and swears like a mechanic that we should have never left the hotel we were in. Yah, well if we would have stayed we wouldn’t have this story would we? He smashes his hands into the roof of the truck trying to ready himself for the impending head on collision. I’m in shock. That’s what I do in moments like this! When my wife asks where the remote is, when a vendor in a food court asks if I want extra mayo, when an AMAZON driver asks if I could please write my name on that electronic slab from the future. I panic. So, here we are pitch black in a whiteout blizzard, no lights going one hundred and twenty kilometers an hour. I do the cardinal sin of driving in the winter on the Canadian Prairie; I slammed on the breaks! The truck slides sideways on the QE2, the six lane highway between Calgary and Edmonton. I’m white knuckling the steering wheel staring out into the blizzard likes it’s a horror flick. The comedian next to me isn’t talking to me. He’s hyperventilating and seeing his life pass before his eyes. The truck slams into a snow drift I never saw and my vehicle explodes into the ditch up the side and slides sideways over an access road and my truck slides through a truck stop parking lot and shimmies into an empty stall near a massive gas station until seconds earlier did not see and did not know existed. The comic I’m driving with stops shouting and I say: you want to get some breakfast? Swear to God. It’s true. There’s something looking out for all of us and that’s the place I’m going to start with my humor.

I’ve burnt more bridges than the Nazis because I chose to grow and be true to myself and my heart and be the Paul the Universe has been asking me to.